A glossary of musical terms

Finding your way around music

  • SATB
    The standard abbreviation for the four voice parts: Soprano, Alto, Tenor, and Bass.
  • Staff / System
    The lines music is written on / A group of staves sung at the same time, the SATB parts often shown about the left- and right-hand of the piano parts.
  • Measure (Bar)
    The space between two vertical lines that groups beats together.
  • Unison
    When everyone sings the exact same pitch at the same time.
  • A Cappella
    Singing without any instrumental accompaniment, literally Italian for in the chapel.
  • Coda
    The concluding passage of a piece; the “final tail” of the music.
  • Dal Segno (D.S.)
    An instruction to go back to the “sign” (a stylized S symbol) and repeat from there, often before going to the coda.
  • Key Signature
    The group of sharps or flats at the start of each staff that tells you which scale to use.
  • Repeat Sign
    Double bar lines with two dots indicating that the section of music should be performed again.
  • Time Signature
    The two numbers at the start of a piece (e.g., 4/4) that tell you how many beats are in each measure.
  • Da Capo (D.C.)
    An instruction to return to the very beginning (the “head” or top) of the piece.
  • Clef
    The symbol at the start of the staff (Treble or Bass) that fixes the pitch of the notes.
  • Interval
    The gap between notes in terms of their pitch, how much higher or lower one note is than another. We have a detailed article about musical intervals.
  • Score
    The complete script of the music, showing all voice parts and instrumental accompaniments together. We have a more detailed article about musical notation.

Tempo & Rhythm

  • Tempo
    The speed of the music.
  • Allegro / Andante / Adagio
    Fast / Moderate “walking” pace / Slow.
  • Ritardando (rit.)
    Gradually slowing down the speed, common at the end of a piece of music or before a rousing chorus.
  • A Tempo
    Instruction to return to the original speed (usually after a ritardando).
  • Moderato
    A medium or moderate tempo, faster than Andante but slower than Allegro.
  • Accelerando (accel.)
    The opposite of a ritardando; gradually getting faster and faster.
  • Largo
    A very slow and broad tempo, even slower than Adagio.
  • Presto
    Very fast; a speed quicker than Allegro.
  • Beat
    The steady pulse of the music that you might tap your foot to.
  • Rubato
    “Robbed time”; a flexible approach to tempo where the musical director pulls and pushes the tempo for expressive effect.
  • Syncopation
    Rhythms that place the accent on the “weak” beats or between the beats. You can think of it as making the piece sound jazzier or funkier, but it also applies to classical and other genres.

Dynamics & Volume

  • We have a longer article about the choir’s volume control
  • Piano (p) / Forte (f)
    Soft volume / Loud volume.
  • Crescendo / Decrescendo
    Gradually getting louder / Gradually getting softer.
  • Mezzo-Forte (mf) / Mezzo-Piano (mp)
    Medium-loud / Medium-soft. The “middle ground” of choral singing.
  • Pianissimo (pp) / Fortissimo (ff)
    Very soft / Very loud.
  • Diminuendo (dim.)
    Another term for decrescendo—slowly fading the volume.
  • Forte-Piano (fp)
    Loud, then immediately soft.

Technique

  • Legato / Staccato
    Smooth and connected / Short and detached.
  • Intonation
    Singing accurately “in tune.” The opposite is known colloquially as pitchiness.
  • Phrasing
    The musical “sentences”; deciding where to breathe and shape a line.
  • Tutti
    Italian for “all”; indicates that the full choir should sing after a solo or small group section.
  • Breath Support
    The use of the diaphragm to control air flow for steady, long, and powerful notes.
  • Staggered Breathing
    A technique where choir members breathe at different times so the collective sound never stops.
  • Vibrato
    A slight, rapid fluctuation in pitch that adds warmth and richness to the voice.
  • Chest Voice / Head Voice
    The lower, powerful singing range / The higher, lighter, and more resonant singing range. We have a more complete article about vocal range and vocal technique.
  • Enunciation
    The clear and distinct pronunciation of words so the audience can understand the text.

Author: Dave Bradley

Dave is a founding member of the Fen Edge Voices community choir and manages, web, socials, and media for the choir.